林小雯 Sio Man Lam

策展 | 寫作 | 藝術行政 Curator | Writer | Arts Administrator

身體陪伴靈魂 Body Soul Companion
臨界 On the Edge
自然之書 Nature Writing
遊園世外 Empire Recast
交易繼續 The Deals Go On
英梅好奇澳門 Yingmei Curious Macau
現形記 Apparition

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C2 Blogs | C2文創誌專欄

October 2021
- Oct 1, 2021 婆仔屋的消失與永在——私記憶、藝術文獻與澳門現當代藝術現場（三）Old Lady House -- Memories, archives and sites : Modern and contemporary art of Macao III Oct 1, 2021
August 2021
- Aug 1, 2021 澳門崗頂的「黑山學院」 ——私記憶、藝術文獻與澳門現當代藝術現場（二）Academy of Visual Arts -- Memories, archives and sites : Modern and contemporary art of Macao II Aug 1, 2021
April 2021
- Apr 1, 2021 連勝街2號G座——私記憶、藝術文獻與澳門現當代藝術現場（一）Macao International Visual Arts Centre -- Memories, Archives and Sites : Modern and Contemporary Art of Macao I Apr 1, 2021
February 2021
- Feb 1, 2021 澳門雙年展：遲來的開胃品 Macau Art Biennale: a late appetizer Feb 1, 2021
December 2020
- Dec 1, 2020 關懷中學習：藝術教育中的社交情感力培養 Social Emotional Learning through Arts Education Dec 1, 2020
October 2020
- Oct 1, 2020 2020年，一些好玩的線上藝術 Some Fun Online Art Projects in 2020 Oct 1, 2020
August 2020
- Aug 1, 2020 這是一個加分項：後疫情時代的藝文資助 Funding Arts in the Post-Pandemic Era Aug 1, 2020
June 2020
- Jun 1, 2020 疫情之下：再利用的藝術與藝術的再利用 The art of reusing and reusing art during the COVID-19 pandemic Jun 1, 2020
April 2020
- Apr 1, 2020 給青少年及兒童的表演藝術：國際交流與文化輸出——美國藝術教育行業筆記（一）Performing for children and teenagers: on international exchange and exporting culture—Notes on the American art education industry (Part 1) Apr 1, 2020
February 2020
- Feb 5, 2020 歷史書寫的創造性：兩個文件展的觀察 Creativity in historical documentary: observation of two documentary exhibitions Feb 5, 2020
December 2019
- Dec 4, 2019 每天繪一朵藍果麗─記Tattfoo Tan的環境藝術工作坊 Making Rangoli: some thoughts on Tattfoo Tan’s art workshop Dec 4, 2019
October 2019
- Oct 2, 2019 藝術執照：規訓還是自由？ Artistic License: rules or freedom? Oct 2, 2019
August 2019
- Aug 7, 2019 陶瓷與人——寫在威尼斯雙年展澳門館開幕後 Ceramic and people—Some thoughts after the opening of La Biennale di Venezia Aug 7, 2019
June 2019
- Jun 5, 2019 不止懷舊──寫在威尼斯雙年展澳門館開幕前 Beyond nostalgia—Some thoughts before the opening of La Biennale di Venezia Jun 5, 2019
April 2019
- Apr 3, 2019 兒戲不兒戲—談談藝術教育（下） Children’s show, childlike but not childish: on art education (2/2) Apr 3, 2019
February 2019
- Feb 6, 2019 那些年，我們錯過的藝術教育—談談藝術教育（上） The good education on art that we have missed these years: on art education (1/2) Feb 6, 2019
December 2018
- Dec 5, 2018 紐約藝術求生指南—兼談地方藝文政策 A survival guide to arts in New York: on local policy for arts Dec 5, 2018
October 2018
- Oct 3, 2018 被淹沒的時代——紐約藝術速寫 The sunken times─Sketches on art in New York Oct 3, 2018
August 2018
- Aug 1, 2018 面向未來的設計：思辨設計與社會創新 Future-oriented design: speculative design and social innovation Aug 1, 2018
June 2018
- Jun 6, 2018 消失的應許之地──紐約的藝術家村 Disappeared promised land—Artisan village in New York Jun 6, 2018
April 2018
- Apr 4, 2018 紐約最自由的藝術學院關門了 The freest academy of arts in New York is closed Apr 4, 2018
February 2018
- Feb 21, 2018 公共藝術，公共參與——談談公共藝術（下） Some thoughts on public art (Part 2) Feb 21, 2018
December 2017
- Dec 6, 2017 創意時代：藝術區建了，藝博會辦了，公共藝術呢──談談公共藝術（上） Some thoughts on public art (Part 1) Dec 6, 2017
October 2017
- Oct 4, 2017 文獻造城：卡塞爾文獻展 Documenta makes the city: Kassel Documenta Oct 4, 2017
August 2017
- Aug 2, 2017 紐約市的第一份文化規劃 New York City: a first-ever cultural blueprint Aug 2, 2017
June 2017
- Jun 7, 2017 讓藝術家回到工作室 Giving artists their studio time Jun 7, 2017
April 2017
- Apr 5, 2017 除了政府，誰來為藝術埋單？ Who pays for art but the government? Apr 5, 2017